Le Schopenhauer de Théodore Ruyssen est paru en 1911 chez Félix Alcan dans la série "Les Grands Philosophes" où figuraient d'autres bonnes études comme le Schelling de Bréhier ou encore le Fichte (1902) de Xavier Léon. Ruyssen avait déjà fait paraître dans la même collection un Kant qui connut plusieurs rééditions. Tous ceux qu'intéresse l'œuvre de Schopenhauer ne pourront que se réjouir de la réimpression de ce titre depuis longtemps épuisé.

Arthur C. Danto’s The Transfiguration of the Commonplace is one of the most influential recent books on philosophy of art. It is noteworthy for both his method, which emphasizes indiscernible pairs and sets of objects, and his conclusion, which is that artworks are distinguished from non-artwork counterparts by a semantic and aesthetic transfiguration that depends on their relationship to art history. In numerous contexts, Danto has confirmed that the relevant concept of art is the concept of fine art. Examples (...) of music that are not fine art demonstrate that semantic and aesthetic transfiguration does not require a relationship to art history or art theory. Appropriate interpretation and individuation of a great deal of music can be achieved by listeners who do not grasp art theory and who do not guide their interpretation by reference to the concept of art. (shrink)

Mit der Begründung dieser Schriftenreihe im Jahre 1966 ging es dem Berliner Handels- und Wirtschaftsrechtler Ernst E. Hirsch, wie er damals schrieb, um den Nachweis, »daß die Wiederaufnahme der durch die nationalsozialistische Herrschaft unterbundenen Bemühungen von Arthur Nussbaum um Erforschung der Rechtstatsachen für eine Rechtswissenschaft stricto sensu ebenso unentbehrlich ist wie die im deutschen Rechtskreis von Eugen Ehrlich begründete, aber noch immer vor allem von Juristen teils abgelehnte, teils beargwöhnte Rechtssoziologie.« Entsprechend dieser (unveränderten) Aufgabenstellung ist die Schriftenreihe zum einen (...) der Beschäftigung mit den Klassikern der Vergangenheit und ihrer Relevanz für das Heute und zum anderen aktuellen Fragestellungen der Gegenwart gewidmet. (shrink)

Excerpt from Sexualität und Ästhetisches Empfinden in Ihrem Genetischen Zusammenhange: Eine Studie Theodor Lipps, Ästhetik. Psychologie des Schönen und der Kunst. I. Grundlegung der Ästhetik, l903. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection (...) in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

Arthur Schopenhauer hat Theodor Lessings Denken nachhaltig beeinflußt. Dies gilt auch für das Konzept der Struktur eines Subjekts. Schopenhauer spaltet die Leistungskraft des Subjektes auf in ein empirisch-wollendes und ein ,,reines Bewußtsein", Lessing unterscheidet das empirisch-psychologisch wollende Vermögen des Subjektes von dem der intuitiven Vernunft. Dem Subjekt wird bei Schopenhauer und Lessing zugunsten des irrationalen Willens die Autonomie abgesprochen. Das denkende Bewußtsein, ein prinzipienmächtiges freies Subjekt kann hier gegenüber dem Willen keine Priorität mehr beanspruchen. Der Bedeutung und Funktion dieses (...) nur als Faktum begriffenen Subjektes wird in der Geschichtsauffassung von Schopenhauer und Lessing nachgegangen. Dieses Subjekt vermag eine Authentizität und Objektivität von Geschichte und damit auch von sich selbst nicht mehr zu vermitteln. (shrink)

Este artigo se propõe a mostrar a centralidade que a questão do sofrimento adquire nas filosofias de Arthur Schopenhauer e Theodor Adorno. O ponto de partida é um recorte preciso na obra de ambos os autores visando a uma reconstrução breve da metafísica de Schopenhauer, com ênfase na concepção de Vontade, desenvolvida em O mundo como vontade e como representação, de 1818, e a uma apresentação dos conceitos principais que compõem a concepção de dialética negativa, exposta por Adorno na (...) obra homônima de 1966. Por fim, defendo a tese de que, de um lado, Adorno se aproxima de Schopenhauer ao conceder uma centralidade à questão sofrimento e, mais especificamente, a um sofrimento corporal ou físico. Por outro lado, mostro que há elementos inconciliáveis entre as duas filosofias na medida em que a noção de dialética negativa pretende se afastar de toda forma de idealismo, e o sistema metafísico desenvolvido por Schopenhauer não teria sido capaz, na leitura de Adorno, de romper efetivamente com a filosofia idealista. (shrink)

Arthur O. Lovejoy conceived of the history of ideas as an interdisciplinary study, encompassing a variety of fields, including literary history, comparative literature, the history of folklore and ethnography, the history of language and the history of religious beliefs. This volume gathers together some of the most significant articles concerning the theory and practice of intellectual history, by Lovejoy himself and other scholars. Contributors: DONALD R. KELLEY, ARTHUR O. LOVEJOY, FREDERICK J. TEGGART, LEO SPITZER, THEODORE SPENCER, ABRAHAM (...) EDEL, PAUL O. KRISTELLER, PHILIP P. WIENER, JOSEPH A. MAZZEO, LEONARD KRIEGER, DANIEL J. WILSON, EDWARD P. MAHONEY, FRANCIS OAKLEY,JOHANN HUIZINGA, JOSEPH KATZ, CALVIN G. RAND, NILS B. KVASTAD, LESTER G. CROCKER and PATRICK H. HUTTON. (shrink)

I expand modal normativism, a theory of metaphysical modality, to give a normativist account of metaphysical explanation. According to modal normativism, basic modal claims do not have a descriptive function, but instead have the normative function of enabling language users to express semantic rules that govern the use of ordinary non-modal vocabulary. However, a worry for modal normativism is that it doesn’t keep up with all of the important and interesting metaphysics we can do by giving and evaluating metaphysical explanations. (...) So, I advance modal normativism by arguing that metaphysical explanations also have a normative rather than descriptive function. In particular, non-causal explanatory claims have formal and semantic properties that make them expressively stricter than basic modal claims and so are better suited to express fine-grained aspects of semantic rules. A major payoff of my normativist account of metaphysical explanations is that it yields a plausible story about how we come to evaluate and know metaphysical explanations—we do this primarily by conceptual analysis. I also respond to a number of objections, including the objection that the epistemic payoffs of my view are not worth the metaphysical costs. (shrink)

An unusual and thought-provoking history of humankind traces the evolution of emotions and personal relationships through the ages and among diverse cultures, discussing such varied topics as the art of conversation, inter-gender friendships, lifestyles, and cookery.

In "Sider on Existence" (Noužs, 2007), David Liebesman and Matti Eklund argue that my "indeterminacy argument", according to which quantifiers are never vague, clashes with my "naturalness argument", according to which quantifiers "carve at the joints". There is, I argue, no outright inconsistency. But Liebesman and Eklund have shown that my arguments are not as independent as it may have appeared. The best defense of the indeterminacy argument is via the naturalness argument.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Counterpossibles are counterfactuals that involve some metaphysical impossibility. Modal normativism is a non-descriptivist account of metaphysical necessity and possibility according to which modal claims, e.g. ‘necessarily, all bachelors are unmarried’, do not function as descriptive claims about the modal nature of reality but function as normative illustrations of constitutive rules and permissions that govern the use of ordinary non-modal vocabulary, e.g. ‘bachelor’. In this paper, I assume modal normativism and develop a novel account of counterpossibles and claims about metaphysical similarity (...) between possible and impossible worlds. I argue that considerations of metaphysical similarity between various impossible worlds and the actual world only require us to tacitly consider how the actual constitutive rules that govern the use of our terms change in order to accommodate the description of some hypothetical impossible scenario. I then argue for my account by raising worries for alternative epistemic and realist accounts of counterpossibles and showing how my account avoids those worries. (shrink)

This essay describes how longstanding conceptions of professionalism in American medical care came under attack in the decades since the enactment of Medicare in 1965 and how the reform strategy and core provisions of the 2010 Affordable Care Act illustrate the weakening of those ideas and the institutional practices embodying them.The opening identifies the dominant role of physicians in American medical care in the two decades after World War II. By the time Medicare was enacted in 1965, associations of American (...) physicians were almost completely in charge of medical education, specialist certification, and the enforcement of professional norms on their members. Who could be a doctor, what education and training would be required, and what collegial oversight was operative was first a professional matter and only secondly implicated the state through malpractice or major corporations via the employment of physicians. (shrink)

The philosophically rich David Bowie is an artist of wide and continuing influence. The theatrical antics of Bowie ushered in a new rock aesthetic, but there is much more to Bowie than mere spectacle. The visual belies the increasing depths of his concerns, even at his lowest personal moments. We never know what lies in store in a Bowie song, for there is no point in his nearly 30 albums at which one can say, "That's typical Bowie!" Who else has (...) combined techno and hard rock, switched to R&B love songs (with accompanying gospel) to funk to jazz-rock fusion and back again? Among the topics explored inDavid Bowie and Philosophy are the nature of Bowie as an institution and a cult; Bowie's work in many platforms, including movies and TV; Bowie's spanning of low and high art; his relation to Andy Warhol; the influence of Buddhism and Kabuki theater; the recurring theme of Bowie as a space alien; the dystopian element in Bowie's thinking; the role of fashion in Bowie's creativity; the aesthetics of theatrical rock and glam rock; and Bowie's public identification with bisexuality and hisinfluence within the LGBTQ community. (shrink)

As indicated by its title, this book provides an overview of philosophy of science in the twentieth century. It focuses mostly on post-WWII philosophy of science, but it discusses earlier developme...

Chronologically sequenced chapter units give an overall historical perspective in this text on ethics, while chapter introductions include biographical, historical and other information.

I argue that we can accept modal normativism—a view that the function of modal claims is to express semantic rules—while also accepting possible worlds semantics. I argue that by keeping the metaphysical insights of normativism at the level of metasemantics—i.e., at the level of accounts of what metaphysically explains facts about the meaning of modal claims—it is open to the normativist to wholeheartedly accept possible worlds semantics.

Arthur I. Miller is a master at capturing the intersection of creativity and intelligence. He did it with Einstein and Picasso, and now he does it with Pauli and Jung. Their shared obsession with the number 137 provides a window into their genius. --Walter Isaacson.

Devoted to the rediscovery of Heidegger’s earliest thought leading up to his magnum opus of 1927, Being and Time.

The Oxford University Studies in the Enlightenment series, previously known as SVEC (Studies on Voltaire and the Eighteenth Century), has published over 500 peer-reviewed scholarly volumes since 1955 as part of the Voltaire Foundation at the University of Oxford. International in focus, Oxford University Studies in the Enlightenment volumes cover wide-ranging aspects of the eighteenth century and the Enlightenment, from gender studies to political theory, and from economics to visual arts and music, and are published in English or French.